“Queerness, Race and Digital Art” in Dismantling The Patriarchy Bit by Bit: Art, Feminism, and Digital Technology
BY JUDITH K. BRODSKY
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BLOOMSBURY VISUAL ARTS
2022
Public Notice for Fucked Peepo: Xandra Ibarra’s “The HookUp/Displacement /Barhopping/Drama/Tour in Queer Nightlife
BY JUANA MARÍA RODRIGUEZ
—
EDS. KEMI ADEYEMI, KAREEM KHUBCHANDANI, RAMÓN H. RIVERA-SERVERA
MICHIGAN UNIVERSITY PRESS
2021
Activism and Identity in the Ruins of Representation in AIDS and the Distribution of Crisis
BY JUANA MARÍA RODRIGUEZ
—
DUKE UNIVERSITY PRESS
2020
Cry Bomba in The Cry of the Senses: Listening to Latinx and Caribbean Poetics
BY REN ELLIS NEYRA
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DUKE UNIVERSITY PRESS
DECEMBER
2020
In Between Subjects: A Critical Genealogy of Queer Performance
BY AMELIA JONES
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ROUTLEDGE PRESS
NOVEMBER 2020
La Chica Boom and the Pedagogy of Queer Failure
BY ERIN KAPLAN
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THEATRE TOPICS, VOLUME 30, NUMBER 2,
JULY 2020
Living On All Fours: Latinx Performance and the Trans Human Turn in En Cuatro Patas in TSQ: Transgender Studies Quarterly
BY BERNADINE HERNANDEZ
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DUKE UNIVERSITY PRESS, VOL 6:2,
MAY 2019
Hurting and Hurling the Body in Feminist in Feminist Performance in Contemporary Theater Review BY AMELIA JONES
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BACKPAGES, CONTEMPORARY THEATRE REVIEW, 28:3, 424-433,
OCTOBER 2018
Deep Listening, Belonging, and the Pleasures of Brown Jouissance in Sensual Excess: Queer Femininity and Brown Jouissance
BY AMBER JAMILLA MUSSER
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NYU PRESS
NOVEMBER 2018
Abject Embodiment in Abject Performances: Aesthetic Strategies in Latino Cultural Production
BY LETICIA ALVARADO
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DUKE UNIVERSITY PRESS
MAY 2018
Forms of Opacity: Roaches, Blood and Being Stuck in Ibarra’s Corpus
BY CHRISTINA A. LEÓN
—
ASAP/JOURNAL ,VOL 2:2
MAY 2017
Performance Review: Breathing material: Cassils and Xandra Ibarra in Los Angeles
BY HANNAH MANSHEL
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WOMEN AND PERFORMANCE: A JOURNAL OF FEMINIST THEORY, 2017
Spic(y) Appropriations: The Gustatory Aesthetics of Xandra Ibarra (aka La Chica Boom)
BY IVÁN RAMOS, ARARA- ART AND ARCHITECTURE IN THE AMERICAS, ISSUE 12 (2016) 1-18.
“Queer Art / Queer Failure”
BY TINA TAKEMOTO
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ART JOURNAL 75:1,
MAY 2016: 85-88
Aguas Calientes
BY XANDRA IBARRA
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TDR/THE DRAMA REVIEW,
VOL. 60, NO. 1 , PAGES 2-3. DOI: 10.1162/DRAM_A_00519
SPRING 2016
Ecdysis: The Molting of A Cucarachica
BY XANDRA IBARRA
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WOMEN & PERFORMANCE: A JOURNAL OF FEMINIST THEORY, PAGES 1-3. DOI: 10.1080/0740770X.2015.1136480
2016
Drawing Complaint: Orientalism, Disidentification and Performance
BY TINA TAKEMOTO
ASIAN DIASPORIC VISUAL CULTURES IN THE AMERICAS 1, 84-107
2015
Variations of “Frida”: Graciela Iturbide, Mario Bulletin, and La Chica Boom
BY ÁNGELES DONOSO MACAYA
—
TECHNOLOGY, LITERATURE, AND
DIGITAL CULTURE IN LATIN AMERICA
EDS. MATTHEW BUSH AND TANIA GENTIC
2015
“Spic Ecdysis (2014) de Xandra Ibarra, o las Mudas de la performance”
BY ÁNGELES DONOSO MACAYA
—
IN FOTO-GRAFIA Y DISCURSOS DISCIPLINARES,
EDS. MARGARITA ALVARADO
CARLA MOLLER, JOSE PABLO CONCHA
2015
Viscous Pleasures and Unruly Feminism
BY JUANA MARÍA RODRÍGUEZ
–
GLQ: A JOURNAL OF LESBIAN AND GAY STUDIES, VOL 21, NUMBER 1, 10-12
2015
La Chica Boom’s Failed Decolonial Spictacles
BY ALPESH PATEL
– E-MISFERICA 11.1 DECOLONIAL GESTURE
2014
Latina Sexual Fantasies, The Remix in Sexual Futures, Queer Gestures, and Other Latina Longings
BY JUANA MARÍA RODRIGUEZ
—
NYU PRESS
JULY 2014
Untitled Feminism
BY JUANA MARÍA RODRÍGUEZ
–
NYU PRESS BLOG
2014
Performance Review of FML
BY ÁNGELES DONOSO MACAYA
–
E-MISFERICA
2013
Queer Sociality and Other Sexual Fantasies
BY JUANA MARÍA RODRÍGUEZ
–
GLQ: GAY &LESBIAN QUARTERLY 17:2-3
2011