Xandra Ibarra, who sometimes works under the alias of La Chica Boom, is an Oakland-based artist from the US/Mexico border of El Paso/Juarez. Ibarra works across performance, video, and sculpture to address abjection and joy and the borders between proper and improper racialized, gendered, and queer subjects.
Ibarra’s work has been featured at The Broad Museum (LA), ExTeresa Arte Actual (DF, Mexico), The Leslie-Lohman Museum (NYC), ONE Archives (LA) and Museum of Fine Arts (Boston) to name a few. She is a recipient of fellowships from the UC President’s Post-Doctoral Program, Fleishhacker Foundation, Vermont Studio Center, The Lucas Visual Arts, and Headlands Center for the Arts. She has received the Creative Capital Award, the Queer Art Prize for Recent Work, the Art Matters Grant, the Eisner Film and Video Prize, and the Franklin Furnace Performance and Variable Media Award among others. Her work has been featured in Art in America, Artforum, Frieze, Forbes, Hyperallergic, ArtNews and in various academic journals and books nationally and internationally.
As a community organizer, Ibarra’s work is located within feminist anti-rape and prison abolitionist movements. Since 2003, she has actively participated in organizing with INCITE! and Survived and Punished, both national feminist of color organizations dedicated to creating interventions at the intersection of state and interpersonal violence. As a lecturer, Ibarra has taught Ethnic Studies, Sexuality Studies, Art Practice/Studio and History and Theory of Contemporary Art courses at various Universities. Past adjunct and part-time teaching posts have included: Stanford University, UC Berkeley, San Francisco Art Institute, and California College of the Arts. Ibarra holds an MFA in Art Practice from the University of California, Berkeley, an MA in Ethnic Studies from San Francisco State University and attended the Post Colonial Studies program held at the Universidat Rovira | Virgili (Spain).
ABOUTCurrent.
Three of Ibarra’s performance videos included in SUBVERT, REPAIR, RECLAIM: CONTEMPORARY ARTISTS TAKE BACK THE NUDE at the Museum of Fine Arts, Boston
Ibarra’s work is featured in NEED ME , a group exhibition at the ONE ARCHIVES (LA). Need Me addresses the western renaissance of body piercing rooted in the queer artistic production throughout the 1980s and 1990s
Updates
Ibarra’s performance Nude Laughing at the Museum of Fine Arts Boston sparks dialogue:
At the MFA Boston, Contemporary Artists Turn the Gaze Back on the Museum’s Nudes
THE BOSTON REVIEW
Thea Quiray Tagle
Naked and on Display
BOSTON GLOBE (front page, above the fold)
Murray White
Nude Performance at MFA Boston Confronts One of Art’s Oldest Tropes
HYPERALLERGIC
Natalie Haddad
Boston Art Review
Kim Cordova
Suddenly Everyone’s an Art Critic
Mark Shanahan
Did the MFA’s nude performance push boundaries or go too far?