Forms of Opacity: Roaches, Blood and Being Stuck in Ibarra’s Corpus by Christina A. León, ASAP/Journal Volume 2, Number 2, May 2017

Performance Review: Breathing material: Cassils and Xandra Ibarra in Los Angeles by Hannah Manshel, Women and Performance: A Journal of feminist theory, 2017

Spic(y) Appropriations: The Gustatory Aesthetics of Xandra Ibarra (aka La Chica Boom) by Iván Ramos, ARARA- Art and Architecture in the Americas, Issue 12 (2016) 1-18.

“Queer Art / Queer Failure” by Tina Takemoto, Art Journal 75:1, May 2016: 85-88

Aguas Calientes by Xandra Ibarra, TDR/The Drama Review, Spring 2016, Vol. 60, No. 1 , Pages 2-3. DOI: 10.1162/DRAM_a_00519

Ecdysis: The Molting of A Cucarachica  by Xandra Ibarra, Women & Performance: a journal of feminist theory, 2016, Pages 1-3. DOI: 10.1080/0740770X.2015.1136480

Drawing Complaint: Orientalism, Disidentification and Performance by Tina Takemoto, Asian Diasporic Visual Cultures in the Americas 1, 2015, 84-107

Variations of “Frida”: Graciela Iturbide, Mario Bulletin, and La Chica Boom by Ángeles Donoso Macaya, Technology, Literature, and Digital Culture in Latin America, Eds. Matthew Bush and Tania Gentic 2015

“Spic Ecdysis (2014) de Xandra Ibarra, o las Mudas de la performance” byÁngeles Donoso Macaya in Foto-grafia y Discursos Disciplinares, Eds. Margarita Alvarado, Carla Moller, Jose Pablo Concha 2015

Viscous Pleasures and Unruly Feminism by Juana María Rodríguez – GLQ: A Journal of Lesbian and Gay Studies, Vol 21, Number 1, 2015, 10-12

La Chica Boom’s Failed Decolonial Spictacles by Alpesh Patel – E-misferica 11.1 Decolonial Gesture, 2014

Untitled Feminism by Juana María Rodríguez – NYU Press Blog, 2014

Performance Review of FML by Ángeles Donoso Macaya – E-misferica, 2013

Queer Sociality and Other Sexual Fantasies by Juana María Rodríguez – GLQ: Gay &Lesbian Quarterly 17:2-3, 2011